
The Bazaar of Bad Dreams: Stories
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Named to the American Library Association’s Reference & User Services (RUSA) Listen List!
Other narrators include: Cotter Smith, Will Patton, Edward Herrmann, Holter Graham, Frederick Weller, Mare Winningham, Craig Wasson, Thomas Sadoski, and Tim Sample.
A master storyteller at his best - the O. Henry Prize winner Stephen King delivers a generous collection of stories, several of them brand new, featuring revelatory autobiographical comments on when, why, and how he came to write (or rewrite) each story.
Since his first collection, Nightshift, published 35 years ago, Stephen King has dazzled listeners with his genius as a writer of short fiction. In this new collection he assembles, for the first time, recent stories that have never been published in a book. He introduces each with a passage about its origins or his motivations for writing it.
There are thrilling connections between stories, including themes of morality, the afterlife, guilt, and what we would do differently if we could see into the future or correct the mistakes of the past. "Afterlife" is about a man who died of colon cancer and keeps reliving the same life, repeating his mistakes over and over again. Several stories feature characters at the end of life, revisiting their crimes and misdemeanors. Other stories address what happens when someone discovers he has supernatural powers: the columnist who kills people by writing their obituaries in "Obits"; the old judge in "The Dune", who, as a boy, canoed to a deserted island and saw written in the sand the names of people who then died in freak accidents. In "Morality", King looks at how a marriage and two lives fall apart after the wife and husband enter into what seems, at first, a devil's pact they can win.
Magnificent, eerie, utterly compelling, these stories comprise one of King's finest gifts to his constant fan. "I made them especially for you," says King. "Feel free to examine them, but please be careful. The best of them have teeth."
- Durata20 ore e 11 minuti
- Data di uscita su Audible3 novembre 2015
- LinguaInglese
- ASINB079DDZ6W5
- VersioneEdizione integrale
- Tipo di programmaAudiobook Audible

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Durata | 20 ore e 11 minuti |
---|---|
Autore | Stephen King |
Narratore | Stephen King, Dylan Baker, Brooke Bloom, Hope Davis, Kathleen Chalfant, Santino Fontana, Peter Friedman |
Data di pubblicazione su Audible.it | 03 novembre 2015 |
Editore | Simon & Schuster Audio |
Tipo di programma | Audiobook Audible |
Versione | Edizione integrale |
Lingua | Inglese |
ASIN | B079DDZ6W5 |
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Al momento, si è verificato un problema durante il filtraggio delle recensioni. Riprova più tardi.
3 su 4 sono danneggiati (questo è quello meno sgarrupato). Un vero peccato aprire il pacco e trovare libri con orecchie e graffi.

3 su 4 sono danneggiati (questo è quello meno sgarrupato). Un vero peccato aprire il pacco e trovare libri con orecchie e graffi.


Ovviamente questa è una mia opinione, ma se siete di quelli che si avvicinano solo ora al re del brivido, sappiate che prima di questa raccolta, esistono dei veri capolavori, scritti da lui (anche racconti brevi) che vi consiglio prima di recuperare.
Le recensioni migliori da altri paesi

Something that bothered me was the first story, based on modern day children and seen partially through the eyes of a ten year old, yet told very firmly in King's old-fashioned kids voice. The slang used, the knowledge, the names - they're not right. Find me a kid named Normie in 2022 and I'll give you a shiny penny. The names are outdated and the way the kid thinks is outdated. If kids have gangs nowadays, they don't have names like 'The Raiders' or whatever they were called. If this story was set in, perhaps, the 1950s - it would be fine and I'd think nothing of it, but I didn't enjoy the dissonance. With all this said, I do believe the first story was the best in terms of storyline (followed by the last story).

Having been a reader of King since my teenage years, I have found that his Novellas and Short Stories to be particularly unsettling. This new collection contains some of his darkest tales, often with a spin on morality and social norms. They also allow us to peep into one of King’s themes; that our reality may coexist with others, in terms of shared dimensions.
As this is a collection by the King of Horror, these dimensions that impinge upon our own; contain horrors that we have difficulty comprehending, like ‘Mile 81’ where a dangerous vehicle stalks an abandoned freeway rest-area [aka ‘Motorway Services’], or the evil child in ‘The Bad Kid’, who causes death and mayhem to whom he stalks; even right up to the final walk of a death row prisoner.
It contains some new work, though a significant proportion of the stories here have been available previously; but King has updated them for this collection [as he indicates in his introduction].
I would make specific mention of the surreal ‘Ur’ which was first published when the eBook / Kindle boom gathered momentum. Though one should remember that King was an early pioneer of the ebook, with his first forays being ‘The Plant’ [which remains uncompleted], and ‘Riding the Bullet’. ‘Ur’ features a college professor whose strange eReader is one that contains work by established and famous writers, now deceased – but the works within the eReader are from a different dimension, or are they?
There is also pathos blended in with the horror, such as in ‘Batman and Robin have an Altercation’, which has the theme of the ravages of age upon a Son and his elderly Father whose mental faculties are dimmed, but not totally gone.
The short introductions by King where he prefaces the stories add welcome insight, showing the story in context as well as inception.
Specific favourites are the very droll ‘Drunken Fireworks’, which started life as an audio novella, and is indeed a very engaging morality tale that when placed into context, mirrors the inherent madness in humanity’s need for the arms race. Though my favourite is the dark reflection of age and the mysteries of death in ‘The Dune’ [originally published as a story in the British literary journal Granta].
I subsequently purchased the audio version of this collection from Audible, which is remarkable, as King prefaces the stories vocally, but each is narrated by professional actors and vocal artists, such as Craig Wasson; and these narrations brings the stories to life [and death].
It is of little surprise that this collection was recognised by The Mystery Writers of America [MWA], with the story ‘Obits’ gaining an Edgar Award.
Highly recommended, and as a paperback or audiobook, these tales will unsettle as well as entertain in equal measure, with the promise of the Bad Dreams as alluded to by the title.
Ali Karim
Assistant Editor
Shots Magazine
[...]


Recensito nel Regno Unito 🇬🇧 il 14 ottobre 2016
Having been a reader of King since my teenage years, I have found that his Novellas and Short Stories to be particularly unsettling. This new collection contains some of his darkest tales, often with a spin on morality and social norms. They also allow us to peep into one of King’s themes; that our reality may coexist with others, in terms of shared dimensions.
As this is a collection by the King of Horror, these dimensions that impinge upon our own; contain horrors that we have difficulty comprehending, like ‘Mile 81’ where a dangerous vehicle stalks an abandoned freeway rest-area [aka ‘Motorway Services’], or the evil child in ‘The Bad Kid’, who causes death and mayhem to whom he stalks; even right up to the final walk of a death row prisoner.
It contains some new work, though a significant proportion of the stories here have been available previously; but King has updated them for this collection [as he indicates in his introduction].
I would make specific mention of the surreal ‘Ur’ which was first published when the eBook / Kindle boom gathered momentum. Though one should remember that King was an early pioneer of the ebook, with his first forays being ‘The Plant’ [which remains uncompleted], and ‘Riding the Bullet’. ‘Ur’ features a college professor whose strange eReader is one that contains work by established and famous writers, now deceased – but the works within the eReader are from a different dimension, or are they?
There is also pathos blended in with the horror, such as in ‘Batman and Robin have an Altercation’, which has the theme of the ravages of age upon a Son and his elderly Father whose mental faculties are dimmed, but not totally gone.
The short introductions by King where he prefaces the stories add welcome insight, showing the story in context as well as inception.
Specific favourites are the very droll ‘Drunken Fireworks’, which started life as an audio novella, and is indeed a very engaging morality tale that when placed into context, mirrors the inherent madness in humanity’s need for the arms race. Though my favourite is the dark reflection of age and the mysteries of death in ‘The Dune’ [originally published as a story in the British literary journal Granta].
I subsequently purchased the audio version of this collection from Audible, which is remarkable, as King prefaces the stories vocally, but each is narrated by professional actors and vocal artists, such as Craig Wasson; and these narrations brings the stories to life [and death].
It is of little surprise that this collection was recognised by The Mystery Writers of America [MWA], with the story ‘Obits’ gaining an Edgar Award.
Highly recommended, and as a paperback or audiobook, these tales will unsettle as well as entertain in equal measure, with the promise of the Bad Dreams as alluded to by the title.
Ali Karim
Assistant Editor
Shots Magazine
[...]


Firstly, let me say that these stories are still quite long. Some of them even have mini chapters. I didn't necessarily see this is as a bad thing but it reconfirmed my idea that this book was a much better idea than ploughing into one of his full length novels again (though classics like 'The Shining' and 'Christine' are definitely beckoning to me). King's writing is exquisitely detailed and in this format, that reflected on him a lot better than it would have done had the book been so long. I really loved the variation within the stories here too: there's something for everyone though all contain elements of the horrifying, be it supernatural or not. Particular favourites of mine include 'Obits' which obviously won the 2016 Edgar Award for a good reason, 'Summer Thunder' which allowed a small glimpse into a post-apocalyptic world filled with radiation poisoning, quiet and tragic memories, and 'Ur' which made me VERY curious to read King's 'Dark Tower' series. 'Bad Little Kid' was also great, giving me fond memories of the things I had enjoyed about 'It' in a condensed form.
One of the things that I probably found most frustrating was King's penchant for ambiguous endings. He says himself that he has a soft spot for them and while they did work for the stories, they also left me feeling liken I'd missed out on something important. Stories such as 'That Bus Is Another World', 'A Death' and 'The Little Green God Of Agony' particularly made me feel this way. King, for the most part, likes to stick with what he knows as well. Most of the stories are set in a shady, grubby Maine and while it meant that he knew the place well, I would have loved some more variety in the settings. A lot of the characters felt the same too in the way that they spoke and thought about things so it didn't give much variety as a whole. This is a great collection of stories other wise and I am definitely willing to have another go at one of King's other novels in the future.

Fear not though, there is certainly horror here, but some of the time it's mixed with pathos and sadness, such as the 17 page "Herman Wouk Is Still Alive". This is a horrific story, inspired by real events, but the nature of the 2 sets of characters involved takes it beyond being just a short horror story. Well in my view anyway!
As with all of King's writing it's his imagination that takes your breath away, and this group of stories is no different in that regard. The variety of the material and the ideas are simply amazing. I don't know how he does it. The title of this volume is perhaps a reference to himself, as I'm sure I've read that if King stops writing he starts having bad dreams.

Horror and gore are present, as are King’s usual themes: life, death, happiness, the unexplained, ridiculous unworldly happenings that are somehow made real in the imagination. I wondered if age has mellowed him somewhat, and I think it maybe has to some extent, but SK still doesn’t shy away from calling a zombie spade a zombie spade. This collection is one of an author who shares his success but still recognised his limitations, and he himself writes that writing is always a learning curve, however successful you are at doing it. And not every short story can be loved by everybody, right?
I remember reading Night Shift for the first time. If there is anyone out there who hasn’t read King’s short story collections before, I would urge you to begin with that particular one. In fact, I know for a fact that my thumbed and moth-eared copy is still in the loft, waiting for my husband to bring it down.
I might be too scared to go up there myself.