
A Court of Thorns and Roses
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When Feyre kills a wolf, a beastlike creature arrives to demand retribution for it. Dragged to a magical land, Feyre discovers that her captor is not an animal. As she dwells on his estate, her feelings for Tamlin transform from icy hostility into a fiery passion that burns through every lie and warning she's been told about the beautiful, dangerous world of the Fae. But an ancient shadow is growing, and Feyre must find a way to stop it....
- Durata16 ore e 7 minuti
- Data di uscita su Audible1 febbraio 2018
- LinguaInglese
- ASINB079JVBD5S
- VersioneEdizione integrale
- Tipo di programmaAudiobook Audible

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Dettagli prodotto
Durata | 16 ore e 7 minuti |
---|---|
Autore | Sarah J. Maas |
Narratore | Jennifer Ikeda |
Data di pubblicazione su Audible.it | 01 febbraio 2018 |
Editore | W. F. Howes Ltd |
Tipo di programma | Audiobook Audible |
Versione | Edizione integrale |
Lingua | Inglese |
ASIN | B079JVBD5S |
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Recensito in Italia il 12 maggio 2019
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I went into this book kinda expecting to read just another boring, trivial, YA fantasy. I'm happy - you can't even imagine how much - to say that it surprised me a lot, in a positive way.
I'm not giving it five stars for a few reasons: first of all, the Faerie world is becoming a little bit too mainstream in my opinion and I would love to read about new, more original worlds. Second, I hated the romance side of this book. HATED.
This book could've been perfect - I'm not kidding - if Sarah J. Maas didn't decide to add a spoon of 50 Shades of Grey in the mixture. Why, Sarah? WHY?
If you plan on reading it, expect a lot of focus on male bodies, especially muscles, they're everywhere, in every thought of the main character and they're the main reason behind the romance, which to me sucks. Anyway, let's start with a more detailed review.
Story:
The story is nice and interesting. Everything is well explained since the beginning and it doesn't sound forced or clichè - well, at least until the romance starts. I must say that it gets a bit boring when Fayre goes to live in Prythian: all those chapters in which she basically just walks around, discovers her new home, eavesdrops conversations and hates on Tamlin without a valid reason, after a while they get annoying. Luckily it's just a phase and the story goes back to being interesting when Tamlin forces her to leave Prythian. I liked the idea of the curse, the fact that no one could actually tell Fayre what was going on and that she had to figure it out all alone. The best part is - obviously - when she gets Under the Mountain and accepts to complete three tasks in order to free Tamlin from Amarantha's curse. It kinda reminded me of The Hunger Games, but in a very different way, and I absolutely loved it. There are two main things I truly appreciated in this book: the characters have so much depth and structure, their stories are long and detailed, almost all of them feel very three-dimensional, which isn't an obvious thing (cough cough The Cruel Prince cough cough). Their actions don't feel weird or out of nowhere, there's always a clear reason behind everything. Honestly, they feel so real. I also really enjoyed Sarah's writing style: she's clearly a tell writer, which means you shouldn't expect too many descriptions, beside the necessary ones. Is this a bad thing? Not at all, at least for me. She puts in her writing the necessary details you need to understand the world you're reading about and see with your imagination's eyes what she wants you to see, but at the same time she does not extend into long-winded descriptions that make you want to skip the paragraph and move on. The only thing I have to criticize - and it's a very bad one for me - is, as I previously said, this feeling of 50 Shades wannabe. Tamlin's muscles are the main focus of Fayre’s thoughts most of the time, even when he's doing regular things, like opening a door or serving her a plate of food. Ridiculous and unnecessary.
Characters:
Fayre: she's our main character, a teen girl forced to hunt in the woods every day to sustain her family. She lives in a hovel, with a father who's almost a ghost and two sisters who never raise a finger to help her. But she promised her mother she would take care of them and that's why she goes out every day, risking her life, to bring food home. She's also illiterate, meaning that she never learned to write or read. I like this major flaw she has because it makes her different from the typical, perfect YA heroines, it makes her real, flawed, problematic. It also creates - later in the book - a situation where, without the help of someone else, she would've died because of this, bringing down Lucien with her. I LOVE THIS! I find very unrealistic when YA protagonists always manage to beat their enemies and overcome their obstacles, just thanks to their smart ass and their countless qualities. Fayre isn't like that: she is smart - of course - but she's not perfect, she makes mistakes, she doesn't always know how to act and she can't do it alone. I also really enjoyed her love for art and painting, this side of her which wasn't necessary for the purposes of the story, but it made her three-dimensional and unique, giving Sarah the opportunity to describe things like Fayre would see them, with the artist's eye. Fayre is that girl who immediately steals your heart and she grows on you with every page you turn. The only thing I didn't like about her is how she behaved with Tamlin at the beginning of her stay in Prythian, how she was always rude and cold, even though he was trying to make her feel comfortable, even though he was always nice, sweet and kind. That didn't make a lot of sense to me, just like it didn't make sense, later on, her crush for Tamlin, which - for me - was really out of nowhere. I get it, he's hot, strong, with a good hearth, I get that he's likable, but I didn't really get when she fell in love with him. How did that happen? To me, it felt clichè and forced, given the fact that it almost seems like she falls in love with him because he has ripped abs, huge arms, golden hair and perfect jaw.
Tamlin: to be honest, to me he's indifferent. At this point I don't hate him - of course, he didn't do anything wrong (yet) - but I don't love him either, and not because there's something bad about him. It's just that, among all the characters, he's one of the few two-dimensional. He doesn't really grow or develop through the story, he's the same since the beginning: nice, kind, sweet, with a deep love for his territories and his people and a great moral code. He just doesn't make me go WOW. But - having read some little spoilers here and there - I know that this should change in the next book.
Lucien: he's one of my favorites! Just like Fayre, he's not perfect, he makes mistakes and regrets it, he's peevish and a bit harsh at the beginning, but then he starts to get close to Fayre and they develop a trusting friendship. He helps her while she's locked Under the Mountain and she promises Tamlin to always protect her, even though he's not the one in love with her. There's nothing much to say about him, because - despite everything - he's a very background character, but I liked him.
Amarantha: she's our villain, with a capital V. She's cruel, hateful, sadistic. She's just the worst. But I loved her. I mean, I hated her and everything she did, the pain she inflicted with joy, the deaths she caused with no regrets, the perverse pleasure with which she cursed Jurian and forced him to live forever, trapped in his own eyeball, after torturing him and destroying his body. Oh my God, how much I despise that woman. But I also loved her as a character, I loved how Sarah built her story and gave her a reason behind this cruelty. She's not just a bad woman, she goes bad because people make her suffer and this is her reaction. It's isn't right or justifiable, but it makes sense and it gives her character an interesting facet.
Rhysand: I don't have much to say about him, given the fact that he was present just at the very end of the book. I have to admit that he has the typical bad boy charm. I don't like bad boys in real life - if I could, I would punch all of them right in the face - but I'm a sucker for bookish bad boys and I just don't understand why! I think it's because they have more room to develop, to change, to grow, to astound me and I enjoy witnessing all of this, almost being a part of it. Rhysand is loyal to his court and everything he does - good or bad - it's for the sake of his people: that's why he serves Amarantha, why he's willing to lose his dignity, to be her "whore". That's also why, in the end, he betrays her and helps Fayre to complete her three tasks, he literally saves her life twice! We love him just for this reason, right? I still don't have a clear image of him and I guess I'll have to wait and read the sequel to really understand what's going on.
That's it. I thought I was starting another plain, boring fantasy series, but I had to change my mind and I honestly can't wait to read A Court of Mist and Fury!

I went into this book kinda expecting to read just another boring, trivial, YA fantasy. I'm happy - you can't even imagine how much - to say that it surprised me a lot, in a positive way.
I'm not giving it five stars for a few reasons: first of all, the Faerie world is becoming a little bit too mainstream in my opinion and I would love to read about new, more original worlds. Second, I hated the romance side of this book. HATED.
This book could've been perfect - I'm not kidding - if Sarah J. Maas didn't decide to add a spoon of 50 Shades of Grey in the mixture. Why, Sarah? WHY?
If you plan on reading it, expect a lot of focus on male bodies, especially muscles, they're everywhere, in every thought of the main character and they're the main reason behind the romance, which to me sucks. Anyway, let's start with a more detailed review.
Story:
The story is nice and interesting. Everything is well explained since the beginning and it doesn't sound forced or clichè - well, at least until the romance starts. I must say that it gets a bit boring when Fayre goes to live in Prythian: all those chapters in which she basically just walks around, discovers her new home, eavesdrops conversations and hates on Tamlin without a valid reason, after a while they get annoying. Luckily it's just a phase and the story goes back to being interesting when Tamlin forces her to leave Prythian. I liked the idea of the curse, the fact that no one could actually tell Fayre what was going on and that she had to figure it out all alone. The best part is - obviously - when she gets Under the Mountain and accepts to complete three tasks in order to free Tamlin from Amarantha's curse. It kinda reminded me of The Hunger Games, but in a very different way, and I absolutely loved it. There are two main things I truly appreciated in this book: the characters have so much depth and structure, their stories are long and detailed, almost all of them feel very three-dimensional, which isn't an obvious thing (cough cough The Cruel Prince cough cough). Their actions don't feel weird or out of nowhere, there's always a clear reason behind everything. Honestly, they feel so real. I also really enjoyed Sarah's writing style: she's clearly a tell writer, which means you shouldn't expect too many descriptions, beside the necessary ones. Is this a bad thing? Not at all, at least for me. She puts in her writing the necessary details you need to understand the world you're reading about and see with your imagination's eyes what she wants you to see, but at the same time she does not extend into long-winded descriptions that make you want to skip the paragraph and move on. The only thing I have to criticize - and it's a very bad one for me - is, as I previously said, this feeling of 50 Shades wannabe. Tamlin's muscles are the main focus of Fayre’s thoughts most of the time, even when he's doing regular things, like opening a door or serving her a plate of food. Ridiculous and unnecessary.
Characters:
Fayre: she's our main character, a teen girl forced to hunt in the woods every day to sustain her family. She lives in a hovel, with a father who's almost a ghost and two sisters who never raise a finger to help her. But she promised her mother she would take care of them and that's why she goes out every day, risking her life, to bring food home. She's also illiterate, meaning that she never learned to write or read. I like this major flaw she has because it makes her different from the typical, perfect YA heroines, it makes her real, flawed, problematic. It also creates - later in the book - a situation where, without the help of someone else, she would've died because of this, bringing down Lucien with her. I LOVE THIS! I find very unrealistic when YA protagonists always manage to beat their enemies and overcome their obstacles, just thanks to their smart ass and their countless qualities. Fayre isn't like that: she is smart - of course - but she's not perfect, she makes mistakes, she doesn't always know how to act and she can't do it alone. I also really enjoyed her love for art and painting, this side of her which wasn't necessary for the purposes of the story, but it made her three-dimensional and unique, giving Sarah the opportunity to describe things like Fayre would see them, with the artist's eye. Fayre is that girl who immediately steals your heart and she grows on you with every page you turn. The only thing I didn't like about her is how she behaved with Tamlin at the beginning of her stay in Prythian, how she was always rude and cold, even though he was trying to make her feel comfortable, even though he was always nice, sweet and kind. That didn't make a lot of sense to me, just like it didn't make sense, later on, her crush for Tamlin, which - for me - was really out of nowhere. I get it, he's hot, strong, with a good hearth, I get that he's likable, but I didn't really get when she fell in love with him. How did that happen? To me, it felt clichè and forced, given the fact that it almost seems like she falls in love with him because he has ripped abs, huge arms, golden hair and perfect jaw.
Tamlin: to be honest, to me he's indifferent. At this point I don't hate him - of course, he didn't do anything wrong (yet) - but I don't love him either, and not because there's something bad about him. It's just that, among all the characters, he's one of the few two-dimensional. He doesn't really grow or develop through the story, he's the same since the beginning: nice, kind, sweet, with a deep love for his territories and his people and a great moral code. He just doesn't make me go WOW. But - having read some little spoilers here and there - I know that this should change in the next book.
Lucien: he's one of my favorites! Just like Fayre, he's not perfect, he makes mistakes and regrets it, he's peevish and a bit harsh at the beginning, but then he starts to get close to Fayre and they develop a trusting friendship. He helps her while she's locked Under the Mountain and she promises Tamlin to always protect her, even though he's not the one in love with her. There's nothing much to say about him, because - despite everything - he's a very background character, but I liked him.
Amarantha: she's our villain, with a capital V. She's cruel, hateful, sadistic. She's just the worst. But I loved her. I mean, I hated her and everything she did, the pain she inflicted with joy, the deaths she caused with no regrets, the perverse pleasure with which she cursed Jurian and forced him to live forever, trapped in his own eyeball, after torturing him and destroying his body. Oh my God, how much I despise that woman. But I also loved her as a character, I loved how Sarah built her story and gave her a reason behind this cruelty. She's not just a bad woman, she goes bad because people make her suffer and this is her reaction. It's isn't right or justifiable, but it makes sense and it gives her character an interesting facet.
Rhysand: I don't have much to say about him, given the fact that he was present just at the very end of the book. I have to admit that he has the typical bad boy charm. I don't like bad boys in real life - if I could, I would punch all of them right in the face - but I'm a sucker for bookish bad boys and I just don't understand why! I think it's because they have more room to develop, to change, to grow, to astound me and I enjoy witnessing all of this, almost being a part of it. Rhysand is loyal to his court and everything he does - good or bad - it's for the sake of his people: that's why he serves Amarantha, why he's willing to lose his dignity, to be her "whore". That's also why, in the end, he betrays her and helps Fayre to complete her three tasks, he literally saves her life twice! We love him just for this reason, right? I still don't have a clear image of him and I guess I'll have to wait and read the sequel to really understand what's going on.
That's it. I thought I was starting another plain, boring fantasy series, but I had to change my mind and I honestly can't wait to read A Court of Mist and Fury!

After the book took off with a bang I started having strong Beauty and Beast vibes and I thought I might be in for a retelling of the famous fairytale. Then the story sort of deflated and went through a rather non-eventful phase (a tad dull) where we get to know the characters and this magnificent world which is Prythian.
Being a newbie to fantasy and magic this part of the book was rather eyeopening while I grappled between incredulity, eye rolling (just a couple) and deep frowns.
The next and final phase of the book was like a punch in the gut as our main character fights for her life during some very frightening and sickening challenges. Only if she overcomes them all, will she and her friends be saved. For me this was the best and most ingenuous part of the book, which had me reading into the late hours of the night, cheering the MC and wishing there were more than 60 pages left to the end...
Sarah J. Maas has woven a compelling story of bravery, love and cruelty in a magical world made of monsters, fearies and shapeshifters which have made me into a believer.
My only complaint is that the narrator, who is Feyre our MC, is the only POV the reader gets. I think that was a little reductive!
Feyre è una giovane donna coraggiosa che lotta da anni per la sopravvivenza della sua famiglia.
Tamlin è un lord che farebbe di tutto per la sua corte e per la donna che ama.
Lucien è fedele e alcune sue battute fanno morire dal ridere.
Amarantha è una VERA cattiva, non come quei mezzi antagonisti di tanti libri.
Ma senza dubbio il personaggio più interessante e contorto della serie è Rhys, il lord della corte della notte.. devo ancora decidere se fidarmi di lui e vedo definitivamente un triangolo amoroso all'orizzonte!
Detto questo do al libro in generale 4/5 perché all'inizio la storia ci mette un po' a ingranare, con Feyre che esplora la corte della primavera e cerca di negare i suoi sentimenti per Tamlin; ma vi posso assicurare che superata la prima metà, non riuscirete più a staccarvi dalle pagine. La storia si fa decisamente HOT, Feyre diventa cazzutissima (e finalmente conosciamo Rhys)!
I'm kinda of depressed now because I'll have to wait for may 2016 to read the sequel and I NEED IT NOW!
I really couldn't stop reading, I needed to know what was going to happen to the characters, it was like they were my best friends.
And, even if Tamlin is not my tipe, I really liked him it's a gentle giant and I really appreciated his interaction with Feyre.
I had my doubts on her too, but going on she took a place in my heart and I cried for her, smiled and laughed with her, one of the best female heroine I've ever read about.
This is a book everyone should read, really.
Oh, Rhys and Lucien I may ship youXD
And I love you <3

Recensito in Italia 🇮🇹 il 1 settembre 2021

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I'm a HUGE Maas fan, so when I found out she was writing another series, I had to have it. For the first time in a long time, my library actually got the book within a month of its release, so I checked out ACOTAR and read it in a single day. I loved it.
Books two came out, and while I was super disappointed in the pointless sex thrown in every so often and whole chapters dedicated to this nonsense, I continued reading because the story was compelling enough. And then ACOWAR emerged, and everything changed.
This was a series I read numerous times before ACOWAR came out, and I saw things that genuinely bothered me, but I ignored them (I don't even know why) until I just couldn't stand it anymore.
ACOTAR is nothing more than erotica. I feel like the series as a whole started out with plans of being some sort of "story" porn that has a kick-ass plot with "hot" scenes thrown in for whatever reason, and then it got to ACOWAR and decided it wanted to be The Bachelor or a soap opera instead.
The relationship between Tamlin and Feyre GREATLY disturbs me. She's taking care of her family and he swoops in after she accidentally kills a fae (who was disguised as a wolf int he woods where hunters hunt...) and takes her away, claiming she's going to be in trouble and damned and blah blah. No, she's pampered and given servants and pretty clothes and good food. Tamlin dresses her up like a doll and makes snide remarks when she falls short of his goals (fae goals, mind you).
Feyre is a HUMAN. Tamlin is fae. He acts like her humanity is a curse or something to hold against her, and he constantly makes remarks about how she's too fragile, too uneducated, too plain, etc. Instead of "fixing" these issues, Tamlin does nothing other than tell her what to do and not do.
He sexually assaults her after Calanmai, and in the book Feyre shows how much she does not want his advances, and he shoves her against the wall and BITES her, then tells her not to ever go against him again. How is this OK? If my husband ever did this to me, I'd kick him in the crotch and leave. This is not OK. This is not a relationship. This is abuse, which is why it disgusts me that people go on and on about Tamlin.
The fact that Feyre and Tamlin have sex at a later time after he did this makes it worse. why, Feyre, are you going to throw yourself at a man who A) Doesn't care about you based off his degrading comments and B) threatens you. Not only that, he basically blames her for a near-rape experience when he literally did nothing to look out for her and/or stop the guys who were going to attack her?
That being said, I have a lot of issues with Feyre. She gets off too easy on everything, and it's like her brain is only wired to care if the dude is hot. You take care of your family, but then you walk into Tamlin's embrace after the things he has said and done. I understand she has been abused by this, but at the same time, she could have said no. Death is a lot better than basically being a sex slave or punching bag to an immortal person determined to imprison you until you die.
She's never punished for killing a fae. Lucien and Tamlin tell her about magical creatures that could give her what she wants, and the next day she walks out and finds them...the elusive creatures...that are hard for fae to find?
Lucien is about the only well developed character, and he's too sexualized sometimes for me to take me seriously. If you keep pointing out the abs, tanned skin, or whatever on the dude, you're turning them into a slab of meat. All of the males, and truthfully the females as well, in ACOTAR are "perfect" in the idea of what today's society thinks is beauty, sexy, and amazing at everything. This is sexist on every account. Your characters become nothing more than fantasies--which is why I say this is nothing more than porn/erotica.
Sure, you can get some great messages out of this series, but is it worth all of the dung in the way? Specifically with the later books, there's too much sex at some points for it to even be OK. Please, go try to have sex that many times or for days on end and tell me how that is. if you can do that, I'm sorry, but you're either a whore or you're just kinda crazy, because that's too much.
Why I ever read this book and like it, I truthfully don't know, but I'm done with this series. I'm done with this fandom, and I'm fed up with seeing people "swoon" or make comments or even draw/like at that nude art about LITERARY CHARACTERS. Guys, seriously? This is not a book for young girls, but when I went to the first (and last) Maas event, most of the audience there were between the ages of 14-20 (predominately 15-17 years of age) and SCREAMED when Maas was mentioning SEX SCENES. I'm not going to continue to support a series that is encouraging young teens and young women to have unrealistic ideas of men as well as sexual fantasies, especially the married women who I've seen act this same way. if I were your husband, I wouldn't be able to deal with that. I wouldn't want those books in my house.
About the only good thing I have to say for ACOTAR was that there actually was a plot in this book, and it was good, if insanely slow to get rolling, and the amount of sex was fairly minimal.



Recensito in Brasile 🇧🇷 il 8 giugno 2020




As far as MCs go, Feyre was pretty good. She was tough and realistic, though at times her tendency to inner ramble wore on me. Tamlin, her love interest, I quite liked at first but as the book progressed I realised that not only did I begin to question a few of his motives as more of his past was revealed, I found him a bit too dull: especially in comparison to characters filled with personality such as Rhysand and Lucien. It will be interesting to see how they and Nesta (who I think has SO much potential) develop in Book Two, as well as whether I continue to like Tamlin as the object of Feyre's affections. I feel like Maas might be trying to sneak in a Hades & Persephone style story-line in the future and I have to say if I'm right then it's ramped up my excitement for 'A Court Of Mist & Fury' tenfold! The world-building is nicely introduced though I still felt it skimped on some of the details, choosing to take more of an info-dumping approach later on via Alis rather than using more of that time that Feyre spends prancing and painting around the Spring Court.
The thing is, I DO really want to know what happens next but I can't bring myself to lie and say that this book gave me that blown away feeling. It's a really good story on creatures that are rarely focused on: the Fae. But I never felt truly gripped by the plot (the pacing was a little hot and cold) and can't help but feel like I wanted more from a book that set the Blogging world on fire that was written by a widely loved Author in the YA Fantasy community.

Erstmal zu den guten Seiten des Buches: Der Schreibstil ist flüssig und spannend, es passiert einfach eine Menge und die Autorin muss eine blühende Fantasie haben um die Orte und Kreaturen so lebendig zu beschreiben.
Die Nebencharaktere scheinen teilweise etwas flach und stereotyp. Es gibt den wortkargen Helden, der große Verantwortung trägt aber natürlich trotzdem immer zur Stelle ist, wenn die damsel in distress mal wieder gerettet werden muss. Der Sidekick mit tragischer Backstory und die loyale Dienerin. Ich will nicht unfair sein, vielleicht gewinnen diese Charaktere in den letzten 25% des Buches, oder auch im Rest der Reihe, an Tiefe. Also werte ich das mal neutral.
Doch jetzt kommt das Problem: Die Ich-Erzählerin, mit der man sich als Lesy offensichtlich identifizieren soll, ist so strunzendumm, dass es körperlich wehtut. Deswegen konnte ich das Buch nicht zu Ende lesen; ich stehe nicht auf Schmerzen.
Feyre stellt nichts in Frage was ihr passiert und stürzt sich in jede Gefahr, als wäre sie unsterblich. Damit komme ich klar, und das Verhalten wird im Laufe des Buches auch noch mit irgendwelchen juvenilen Gefühlen erklärt. Ich kann auch noch akzeptieren, dass ein Mensch, der ein Leben lang vor der Hinterhältigkeit der Fae gewarnt wurde, mit der bösen Feenkönigin einen Handel abschließt ohne auch nur die Wortwahl in Frage zu stellen. Schließlich befindet sich Feyre in einer enormen Stresssituation und Liebe mach bekanntlich blind, etc. Aber dann gibt ihr besagte Feenkönigin ein Rätsel auf, dass eine extrem offensichtliche Lösung hat, wenn man den Hintergrund der Rätselstellerin bedenkt: Liebe. Ich gehe davon aus, dass das die falsche Lösung ist, und sich das auch im weiteren Verlauf der Geschichte herausstellt. Die Alternative wäre einfach zu armselig. Jeder Protagonist mit nur einem halben Gehirn hätte sich also gefragt, ob das die Lösung sein könnte, um es dann als zu offensichtlich zu verwerfen. Doch Feyre hat ganz genau KEINE Idee, was des Rätsels Lösung sein könnte. In ihrem Kopf herrscht absolute Leere, wie schon in den ersten 75% des Buches. Argh. Es tut schon wieder weh, wenn ich nur daran denke, also höre ich an dieser Stelle lieber auf.

A teenage girl gets kidnapped by an old man who holds her in his house against her will. He is violent. She is scared of him. In the meantime, he lies to her family about where she is and buys them off with money to keep them docile. With time, she develops feelings for him. When she has a chance to escape and finally reaches her family, she decides to go back to her abuser because she thinks they love each other.
Does it sound like a psychological thriller that studies domestic abuse and Stockholm Syndrome? Well, it is not. It romanticises all the wrong things we should not be teaching girls and women are ok. Awful book.
The end.